Tabular figures in these two styles have exact matching widths, so for example, you could emphasize one row of numbers in a data column without visually disrupting the vertical order of the table. Its Bold counterpart is spaced in such a way that the width of the text column will be similar to the text set in Regular. The Regular style is somewhat generously spaced, as it is most likely to be used for setting longer passages of text. No uppercase letter descends below the baseline, so the lines of an all-caps text can be packed tightly on a poster or a headline. Roc has a large x-height and relatively short descenders and ascenders.
It is intentionally exaggerated in heavier weights, which is particularly apparent in the uppercase E and R of the Black and Heavy style. As the weights progress from Thin to Heavy, the stroke contrast becomes more prominent. That is why the contrast between Compressed Thin and Compressed Heavy style is substantial. The Compressed width, however, is deliberately made to be disproportionate, so that every style takes the least possible horizontal space. The Normal width keeps all its nine styles in proportionally similar widths. Although the styles at both ends of each range are made in their most pronounced form in terms of width and weight, they are not taken to such extremes as to become absurd, and are quite usable in display settings. Roc Grotesk comes in a range of five widths: Compressed, Condensed, Normal, Wide and ExtraWide, in order to cover a wide scope of applications.
The character set supports Western and Central European languages, as well as Turkish. With nine weights in five widths, this family contains 45 fonts in total. Roc Grotesk Sans Serif Font is a convenient and modern grotesk sans serif features low contrast details to cover small text purposes.
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